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古风雅韵 气若兰香——书法家杨玉来其书其人

艺术名人 浏览 杨晓茅 美术网

    中国有句古语,士为知己者死,女为悦己者容。毫不夸张地说,源远流长博大精深的中国书法艺术是集作家、陶瓷工艺师于一身的高中语文教师,人称江西

书坛才女杨玉来的第二生命。

    虎虎有生气,天生丽质。教汉语母仪天下,醉心翰墨陶瓷,胸有气象,笔藏风云,愉悦自己,乐享艺术,养眼他人。

    从宣纸到陶瓷,在不同的载体实践自己对笔墨的理解、对意境的探索,一不小心成了一名陶瓷工艺师。近五年来,她穿梭于南昌景德镇,向陶瓷大师们悉心学习,作品得到了众多业内人士的肯定和喜爱,去年还参加了在苏州举办的“传承与创新——景德镇陶瓷艺术大师全国巡展”,她的陶瓷——闲禅人物和书法得到了中国陶瓷工艺大师陆如等大师的高度认可。

    不练瑜伽,照样曼丽多姿。走进KTV专唱流行歌曲,叱叱咤男人强势的书法圈,一支狼豪独霸天下,惠风引领玉人来.......

    书如其人,书法四十余载,讲究追求浸润于书法艺术中的格调,高古空灵,将自己对艺术的趣旨,个人修为为深度融入作品之中,对于当下书法界存在的一些书法“乱象”女书法家杨玉来痛陈其疾,“不是写流行书风就等同于笔墨随时代,所谓流行书风并不是适合每一个人,坚持传统,水到渠成后再形成自己个人风格”是她的观点。她还说,为了参展获奖,基本功空缺,牵强附会地套一些所谓书法空间的概念,这样的艺术是经不起时间考验的。时髦,昙花一现的东西不能永久传世的。

    作为出身书法世家的杨玉来,继承传统而不泥古,亦求变创新,她主张书法要有正大气象。风格形成不是一朝一夕得来的;求变也是在时间的磨砺中慢慢形成的。

    杨玉来非常赞成江西书坛一位老书法家聂子琅的见地,写出真正的草书艺术精品要到六十岁左右。目前,要首先做好本职工作,还要参加社会活动,要摒弃浮躁,沉潜下来静心养书,抱朴守真。早在1987年三月她的书法作品就获得了首届中日妇女书法联展优秀作品奖,并在中国美术馆展出,2001年左右在省妇女书法展中也获得了一二等奖的好成绩,在2009年全国副委员长蒋树森到江西视察,当面泼墨得到了蒋委员长的高度赞扬,2013年还参加了中央电视台书画频道“刘洪彪草书高研班”的学习。连任三届省书协理事和市书协副秘书长以来,为社会公益事业不遗余力,捐款赠送作品三万余元,并为许多书法爱好者们提携宣传,帮助他们在书法领域有所提高和进步,是个有爱心的书法家。

    写字要上升为书法艺术,需要悟性,许多人以为,有了形式美、技巧、拿到一本古人字帖拼命练就可以获奖,如果真是这样傻子都能当书法家。观其人、品其字,见字如面如唔,风风火火,快人快语,一走进书法的特定情境当中,她便顷刻进入角色,被施以魔法般淡定、闲适、恬静。

    暗自思忖。几百年前是一家,与人民教师杨玉来有缘,参加书法家杨玉来生日宴,为她写“壁虎一夜间,翻过了长春藤”生日诗,刚刚过去不久的2016年四月春的北京,扬絮漫天,坐在北京地铁一号线中,忽然看见地铁广告中杨玉来俏丽的面容和娟秀的书法,起初,我误以为自己走神看错了,定神细看下一刻的广告,真真切切。这虎妞,太有能耐了,把自己与自己书法“引力波”发射到天子脚下。

    杨花不是玉雪,惠风和畅,翰墨飘香。爬山虎已翻过春天的土墙,进入跑马圈地书法生态腹地中,一骑绝尘引领风骚。

     书法最大的魅力,就在于艺无止境的追求。

     书路宽广的杨玉来,无论篆、草、行、楷皆出神入化,楷书娴静、清雅、秀丽,隶书古朴、淳厚、生趣,行草飘逸潇洒,篆书自然有法度,是传统与现代、艺术与学养相互渗透完美融合的结晶。

    从一个稚嫩的书写者到书法家,最终成为书法大师,不仅依靠量的积累,还必须有质的突破。

    一个书家的生命过程,也就是不断循序渐进、突破升华、渐入佳境的悟道涅槃的艺术之旅。

    心法永远高于手法,中国书法的恒久动人魅力,穿越千年,抵达当下,他的动人之处,正是书法技巧以外的东西。气若兰香,胸有千壑,杨玉来未来的书法艺术之路未有穷期,“行到水穷处,坐看云起时”,我们期待她的书法陶瓷作品将会走出佳境,享誉省内外,成为江西省一颗耀眼的巾帼不让须眉之星!

--------Introduction in English--------

Ancient Style, Elegant Charm, Ruolan Fragrance-Yang Yulai's Book and His Person

 

—— Series of Talented Women in Yuzhang (10)

 

Wen/Yang Xiaomao

 

There is an old saying in China that a man dies for his confidant and a woman for his pleasure. It is no exaggeration to say that the long-standing and profound Chinese calligraphy art is a high school Chinese teacher with writers and ceramic craftsmen, known as Jiangxi.

 

The second life of Yang Yulai, a talented woman in the literary world.

 

Tigers and tigers are lively and naturally beautiful. Teach Chinese motherhood all over the world, fascinated with calligraphy ceramics, with weather in mind, writing style, pleasure themselves, enjoy art, eye-catching others.

 

From Xuan Paper to ceramics, I have carelessly become a ceramics craftsman by practicing my understanding of pen and ink and exploring artistic conception on different carriers. Over the past five years, she has traveled to Jingdezhen, Nanchang, and studied with great care from ceramic masters. Her works have been affirmed and loved by many people in the industry. Last year, she also participated in the "Inheritance and Innovation - Jingdezhen Ceramic Art Master National Tour Exhibition" held in Suzhou. Her ceramics, idle Zen characters and calligraphy have been highly recognized by Chinese ceramic craftsmen such as Lu Ru.

 

Without yoga, she is still beautiful. Into KTV singing pop songs, chattering men's strong calligraphy circle, a wolf dominates the world, Huifeng leads the Jade people...

 

Calligraphy, like its own people, has been pursuing a style that is immersed in the art of calligraphy for more than forty years. It is high-ancient and ethereal. It takes its own interest in art and personal cultivation as a deep integration into the works. For some of the "chaotic phenomena" of calligraphy, Yang Yulai, a female calligrapher, complains that "writing popular calligraphy style is equal to writing with the times, so-called popular calligraphy style is not suitable for the times." Everyone, stick to tradition and form their own personal style when the water comes to the end is her point of view. She also said that in order to win prizes and basic skills vacancies in the exhibition, some so-called concepts of calligraphy space were applied in a far-fetched way. Such art could not stand the test of time. Fashion, ephemeral things can not be passed on forever. 

Yang Yulai, who was born in a family of calligraphy, inherited the tradition but did not stick to the past. She also wanted to change and innovate. She advocated that calligraphy should have a positive atmosphere. Style is not formed overnight; change is also slowly formed in the temper of time. 

Yang Yulai is very much in favor of Nie Zilang, an old calligrapher in Jiangxi calligraphy circle, who is about sixty years old when he writes a genuine fine cursive art. At present, we should first do our job well, and also participate in social activities. We should abandon impetuosity, sink down to keep books quietly and keep the book simple and honest. As early as March 1987, her calligraphy works won the excellent works award of the first Sino-Japanese Women's Calligraphy Joint Exhibition and were exhibited in the Chinese Art Museum. She also won the first and second prizes at the provincial Women's Calligraphy Exhibition around 2001. In 2009, Jiang Shusen, Vice-Chairman of the National Committee, visited Jiangxi, and was highly praised by Chairman Jiang for his face-to-face ink splashing. She also participated in CCTV's calligraphy and painting in 2013. Channel "Liu Hongbiao Cursive Calligraphy Advanced Research Class" learning. Since serving three consecutive terms as Director of the Provincial Book Association and Deputy Secretary-General of the Municipal Book Association, he has spared no effort to contribute more than 30,000 yuan to the social public welfare cause, and has helped many calligraphy fans to promote and improve their calligraphy. He is a caring calligrapher.

 

Writing to rise to the art of calligraphy requires understanding. Many people think that with the beauty of form, skills, and hard work to get an ancient character post, they can win prizes. If such a fool is really able to be a calligrapher. As soon as she enters the specific situation of calligraphy, she immediately enters the role and is given magical calmness, leisure and tranquility.

 

Think to yourself. Hundreds of years ago, a family, with the people's teacher Yang Yulai, participated in the birthday banquet of calligrapher Yang Yulai, wrote her birthday poem "Gecko overnight, turned over the Ivy vine". In April 2016, just past, Beijing, was sitting in the Beijing Metro Line 1. Suddenly, I saw Yang Yulai's beautiful face and beautiful calligraphy in the subway advertisement. At first, I mistook it for myself. I've been distracted and misread. It's true to watch the next moment's advertisement carefully. This Tigress, too capable, launched herself and her own "gravitational wave" of calligraphy to the foot of the Son of Heaven.

 

Yang Hua is not Yuxue, Huifeng and Changchang, with fragrant calligraphy. The mountain tiger has climbed over the earth wall in spring and entered the ecological hinterland of calligraphy in the horse-racing enclosure, leading the wind by riding the absolute dust.

 

The greatest charm of calligraphy lies in the endless pursuit of art.

 

Yang Yulai, who has a broad road of calligraphy, is fascinated by seals, grass, lines and regular scripts. Regular scripts are quiet, elegant, beautiful, simple, honest and interesting, elegant, elegant, elegant, elegant, elegant, elegant, elegant, elegant, graceful, graceful and graceful. Seal scripts are naturally graceful. They are the crystallization of the perfect integration of tradition and modernity, art and learning.

 

From a young writer to a calligrapher, eventually to become a master of calligraphy, not only depends on the accumulation of quantity, but also must have a qualitative breakthrough.

 

The life process of a calligrapher is an artistic journey of enlightenment, Nirvana and sublimation.

 

Mind is always higher than technique. The lasting charm of Chinese calligraphy has traversed thousands of years and arrived at the present time. What is touching about him is precisely what is beyond the skill of calligraphy. Yang Yulai's future calligraphy art has not yet reached an endless stage. When she walks to the poorest place and watches the clouds rise, we expect her calligraphy ceramics work will go out of the good situation, enjoy a good reputation both inside and outside Jiangxi Province, and become a dazzling scarf star in Jiangxi Province.

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